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EM™  

OLUX Optical Glass 52mm Low Profile UV Lens Filter

by EM   SKU: A1275000CW
Shipping cost: Free Shipping To Shipping cost:   JPY¥ 0 To Japan Via Estimate shipping fee
· Orders over JPY¥ 5181 will get free tracking services via air mail
This52mm Camera Lens Filter only allows the parallel light through the lens, so that the camera can get a better quality picture such as blue sky, white cloud, clean water, and so on. The UV 52mm Camera Lens Filter can be left on the lens at all times. If there is only one accessory you will purchase for the lens of your camera or camcorder, this should be the one. A UV filter serves to protect your lens from all dust, dirt, scratches and fingerprints. It also absorbs the Ultraviolet rays of the sun thereby reducing or eliminating distortion. The ultraviolet-blocking filter effectively reduces or eliminates photographic haze in areas where the atmospheric conditions contain a heavy concentration of dust particles, water droplets, and pollution. Filtering out ultraviolet light enables the capture of vivid colors and sharper detail.Chose your subject and achieve amazing results! An ideal professional camera accessory for all users!
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EM EMOLUX Optical Glass 52mm Low Profile UV Lens Filter
JPY¥ 799
JPY¥ 699
 
Price: JPY¥ 699
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  • Specifications:

    • The introduction of new ultra-thin frame design in the use of wide-angle lens, 52mm Camera Lens Filtercan avoid the four corners of dark shadows
    • Lens edges blackened around the use of technology can greatly reduce the mirror reflected light, a glow and flare
    • With high light transmittance of the optical lens, making images more clear, more vivid colors
    • To protect the lens may avoid attempts to change the fingerprint, dust and prevent scratching the lens frame
    • Pre-equipped with internal thread, 52mm Camera Lens Filter can be easily fitted with the lens cap or other color filter
    • Roll angle framework for easy installation and removal
    • Using spring-lock lens to avoid sliding
    • With internal thread
    • Lens: High-light transmittance of the optical lens
    • Lens Edge: Blotted technology
    • Framework: Ultra-thin frame matte black sand surface

    Details:

    EM EMOLUX Optical Glass 52mm Low Profile UV Lens Filter

    Camera Lens Filter

    • High quality optical glass for maximum clarity and vivid picture

    52mm Camera Lens Filter

    • 52mm Camera Lens Filter is suitable for all DSLR Lenses, Digital Still, Video & DVD Camcorders

    Lens Filter 

    • The ultraviolet-blocking filter effectively reduces or eliminates photographic haze in areas where the atmospheric conditions contain a heavy concentration of dust particles, water droplets, and pollution

    What's the Camera Lens Filters:

    • Camera lens filters still have many uses in digital photography, and should be an important part of any photographer's camera bag. These can include polarizing filters to reduce glare and improve saturation, or simple UV/haze filters to provide extra protection for the front of your lens

    Lens Filter Type:

    • The most commonly used filters for digital photography include polarizing (linear/circular), UV/haze, neutral density, graduated neutral density and warming/cooling or color filters
    • Example uses for each are listed below:

    Filter Type

    Primary Use

    Common Subject Matter

    Linear & Circular Polarizers

    Reduce Glare Improve Saturation

    Sky / Water / Foliage in Landscape Photography

    Neutral Density (ND)

    Extend Exposure Time

    Waterfalls, Rivers
    under bright light

    Graduated Neutral Density (GND)

    Control Strong Light Gradients Reduce Vignetting

    Dramatically Lit Landscapes

    UV / Haze

    Improve Clarity with Film Provide Lens Protection

    Any

    Warming / Cooling

    Change White Balance

    Landscapes, Underwater, Special Lighting

    Problems with Lens Filters:

    • Filters should only be used when necessary because they can also adversely affect the image. Since they effectively introduce an additional piece of glass between your camera's sensor and the subject, they have the potential to reduce image quality. This usually comes in the form of either a slight color tint, a reduction in local or overall image contrast, or ghosting and increased lens flare caused by light inadvertently reflecting off the inside of the filter
    • Filters may also introduce physical vignetting (light fall-off or blackening at the edges of the image) if their opaque edge gets in the way of light entering the lens (right example). This was created by stacking a polarizing filter on top of a UV filter while also using a wide angle lens-causing the edges of the outermost filter to get in the way of the image. Stacking filters therefore has the potential to make all of the above problems much worse

    EM EMOLUX Optical Glass 52mm Low Profile UV Lens Filter

    Note on Choosing a Filter Size for a Camera Lens:

    • Lens filters generally come in two varieties: screw-on and front filters. Front filters are more flexible because they can be used on virtually any lens diameter, however these may also be more cumbersome to use since they may need to be held in front of the lens. On the other hand, filter holder kits are available that can improve this process. Screw-on filters can provide an air-tight seal when needed for protection, and cannot accidentally move relative to the lens during composure. The main disadvantage is that a given screw-on filter will only work with a specific lens size
    • The size of a screw-on filter is expressed in terms of its diameter, which corresponds to the diameter usually listed on the top or front of your camera lens. This diameter is listed in millimeters and usually ranges from about 46 to 82 mm for digital SLR cameras. Step-up or step-down adapters can enable a given filter size to be used on a lens with a smaller or larger diameter, respectively. However, step-down filter adapters may introduce substantial vignetting (since the filter may block light at the edges of the lens), whereas step-up adapters mean that your filter is much larger (and potentially more cumbersome) than is required
    • The height of the filter edges may also be important. Ultra-thin and other special filters are designed so that they can be used on wide angle lenses without vignetting. On the other hand, these may also be much more expensive and often do not have threads on the outside to accept another filter (or sometimes even the lens cap)

    How to Choose a Camera Lens Filter

    Filters applied to your camera lens serve two main functions. First and foremost, they provide a protective barrier between your lens and the rest of the world. If the camera is ever dropped, the filter will take the brunt of the fall, often saving your valuable lens. Filters are also used for creative purposes in photography. They can alter the look of an image, assist in exposure and even help you photograph small objects close up.

     Camera Lens Filter

    • Determine what size of filter you will need. Look at the barrel of the lens which will have the filter attached. Look for a circle symbol with a line through it. This is the symbol that represents filter size. After the symbol will be a number. For example, 52mm after the symbol means you need to purchase a size 52mm filter.
    • Shop for camera lens filters. Purchase filters at a local photography retailer, online or by mail order from photography magazine ads. Browse the variety of filters available, and determine which ones best suit your photography needs.
    • Select a polarizing filter when photographing reflective objects. Choose a polarizing filter to help darken sky and saturate the color in your photos. They also help reduce glare on the surface of water or on glass display cases.
    • Choose a sky or UV haze filter as a multipurpose filter. Choose this option to reduce haze viewed in long-distance photographs. If you are traveling and taking scenic photographs of landscape a long distance away, choose a sky or UV haze filter to help clarify the image. Select a sky or UV haze filter for general lens protection. It is best to always have a filter applied to your lens.
    • Select black and white or sepia-toned filters to alter the look of your pictures. Shooting through these types of filters will change your photos from color to black and white or to a sepia brown tone. Once they are shot with these types of filters, you cannot go back to a color photo.
    • Choose soft focus filters for a warm, diffused look. Soft focus filters are often used when photographing women, people with wrinkles or babies. Use a soft focus filter to also smooth out patchy skin tones and mild acne. These filters are also used in wedding portraits and senior portraits of females.
    • Select magnifying filters for macro photography. Using these filters will allow you to take close-up pictures of small items. You can stack these types of filters to enhance the magnification.

    How to Use a Polarizing Filter With a Camera Lens

    Light travels in waves. When light strikes an object it is modified by the object. Light is absorbed by dark objects and reflected by objects like water, glass or rocks. To eliminate unwanted reflections in specular highlights, photographers use a filter on their camera lenses called a polarizing filter. This filter will allow you to control unwanted reflections from glass or water in your photographs. It can also be used to deepen the color of the sky or increase the differences between a cloud and the sky. It will remove glare from most views, but will have little impact on metal objects, which reflect mostly non-polarized light. The following are ways to use a polarizing filter with your camera lens.

    52mm Camera Lens Filter

    • Screw the filter on to the front of the camera lens as you would any filter. You will notice this filter is different than most filters. It has an adjustment rim on the front of the filter. View your subject through the camera. In single lens reflect cameras you will be able to see the changes in the view finder immediately.
    • Take a number of exposures adjusting the filter between each exposure. This will allow you to view prints or see screen images to determine the impact of the filter.
    • Notice the change in sky and the appearance of the rocks. Try taking pictures through a window and use the filter to minimize the glass reflections.

    Tips & Warnings

    • Use the filter for scenes with a lot of sky or water. Observe the changes as you turn the filter.
    • You can do a lot of things in Photoshop, but removing unwanted reflections is difficult.
    • It is definitely worth having this inexpensive tool in your camera bag.
    • You can use a polarizing film with a non SLR camera, but you will only be able to see the changes in your exposures, not through the viewfinder.

    Package Included:

    • 1 x EMOLUX 52mm Optical Glass Low Profile UV Lens Filter

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Forge

from ()

Bought this item on

01-05-2011
00:00:00 01-05-2011 Good quality filters Overall:  
  • Other Thoughts: These filters appear to be of good quality, with no visible flaws. I expect they will perform well.

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Etienne

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Bought this item on

05-30-2011
00:00:00 05-30-2011 poor CPL filter, other ok Overall:  
  • Other Thoughts: I bought this items mostly for the cpl filter but it's a really cheap one. Meaning it's working but not so much and nothing compare to a good one. <br/>The UV and FLD filter just do their work.

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Sherin ELRAYES

from ()

Bought this item on

03-16-2011
00:00:00 03-16-2011 Best value Overall:  
  • Other Thoughts: This 3 filters set is a very good value for price, I used it with my Canon EOS T2i camera. However, it contains a filter to correct the white balance when taking pictures in neon light! Almost every electronic camera in the market today has the AWB feature that is Automatic White Balance correction, so it is of no use. This is my reason for not giving the performance the 5 stars

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Robert Bell

from ()

Bought this item on

04-06-2011
00:00:00 04-06-2011 Helps and hinders Overall:  
  • Other Thoughts: The quality of the optics is OK and does make a noticeable difference in the cameras ability. Polarization is a bit tricky but helpful when needed. You will lose light reception so you have to allow for larger opening or slower speed to make up for it. I did a comparison of a Skylight to the UV and would say that the UV is just a lens protector as I had no noticeable difference in any comparative shots. I did see some better contrast with the FLD but had too much pink.

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D. W. Dunning

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Bought this item on

01-19-2011
00:00:00 01-19-2011 good quality for a great price Overall:  
  • Other Thoughts: As many of the other reviews have pointed out, you can certainly buy better quality filters than these, but not for under ten dollars. <br/> <br/>My filter set arrived in a divided leather carrying case and each filter was individually sealed in it's own cellophane bag; new and clean (no smudges, dust or fingerprints). <br/> <br/>As far as build quality goes the three filters are not consistent: <br/> <br/>1) The UV filter is "heavy" and "cold" and makes a ting when tapped with a fingernail, giving the impression of an aluminum ring and glass optics. Since I am using this primarily to protect the front of my lens, I am glad for it's sturdier build. As far as it's optical qualities, it seems perfectly clear to me and does not noticeably affect the quality of my digital photos. <br/> <br/>2) The FLD filter is "light" and "warm" and makes a thud when tapped, giving the impression of a plastic lens in a plastic ring. Given that I don't often shoot with film and that when I do use film, I'm usually outdoors anyway, I will possibly never use this filter and am unconcerned with its quality. (This filter's application is for correcting white balance when shooting with film under fluorescent lights, digital cameras will correct the white balance digitally) <br/> <br/>3) The CPL filter is difficult to determine, it feels like aluminum and glass, but less so than the UV filter does. It might be heavier plastic, it might be lighter glass. What's important is that it threads easily, spins easily (but not so much that it spins out of where it's been set on it's own), and does an excellent job of cutting glare and deepening the blues of the sky. <br/> <br/>Overall, if I only got the CPL for my $8, I would still give this set 5 stars for the value. Having a sturdy feeling UV filter to protect my lens is a great plus.

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