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Specifications:
- Guide Number: ISO 100 @ 50MM
- Standard Flash: 30m/99ft
- Macro Flash: 14m/46ft
- Automatic Flash Range: F2.0
- Standard Flash: 15m/50ft
- Macro Flash: 7m/23ft
- Infrared Auxiliary Light: 8M/26ft
- Color Temperature: 5600K(Sunlight Type)
- Adjustable Head Position: 28-85mm(Relative to 35mm)
- Pitch Angle Head: 0-90°
- Level Rotation Angle: 0-330°
- Exposure Time: 1/700s
- Recycling Time: 0.5-7s
- Flash Times: 100-300
- Battery: 4AA
- Color Temperature: 5600K
- Standard Flash Size: 7.0 x 4.5 x 15.0cm/2.8 x 1.8 x 5.9in(L x W x H)
- Micro Flash Size: 9.2 x 2.5 x 11.5cm/3.6 x 1.0 x 4.5in(L x W x H)
- Color: Black
Features:
- The camera flash light has strong luminance and low consumption, that will be helpful
- This camera flash light has 0-330° level rotation angle, which will bring you much convenience when taking pictures
- This Nikon speed light makes it possible for you to take pictures in all condition
- When taking pictures, you can adjust the light of the this professional camera speed light
- With this camera speed light, your pictures will be more perfect, regardless the environment
- It's easy and convenient for you to carry and operate this Canon flash light
- They are NON-OEM products
Details:



- It is a perfect gift for you to go out to take a photograph and you must love it very much



- In order to take better photos, when taking pictures, you can adjust the light of the camera speed light



- Made of high quality material and fine details, this camera flash light can be used for a long time




- It's easy for you to set up and operate this intelligent Nikon camera speed light

- Designed to be portable and concise, it's easy for you to carry the camera flash light
How to Use Speed Lights for Studio Lighting:

Speed lights are an inexpensive way for many photographers to get into the world of studio lighting. Speed lights are smaller, lighter and easier to carry from job to job when compared to traditional studio strobes, and don't require massive battery packs to operate. Studio strobes pack a lot more power, but off-camera lighting using speed lights is a popular way to get professional lighting effects, to enhance portrait photography, or get the classic "mugshot" look for a photojournalism assignment
- Set Up: Lock each flash in place on one light stand. Attach the modifier. A modifier can be anything that alters the quality or strength of light coming from the flash bulb, typically a shoot through or reflective umbrella or a softbox. A typical lighting setup consists of three lights, two lights in front of the subject and one light, a kicker light, used to light either the back of the subject or the background
- Turn on each speed light. Turn on all three receivers. Check all receiver channels with the wireless trigger. Test the speed lights by pressing the test button on your wireless receiver. If the speed lights do not fire, check that all triggers are set to the same channel and check the batteries in each flash and each trigger
- Attach a wireless receiver to your camera. Test fire a few shots and watch that all three speed lights flash in sync with the shutter
- Use: Arrange the speed lights around the subject. One speed light should be camera left, angled towards the subject. The second speed light should be camera right and angled at the subject. The third speed light should be used as a kicker light, pointing at the subject from behind or pointed at the background
- Take a photograph and evaluate the result. Adjust the ratio of light by reducing the power to the right or left speed light
- Take a photograph and evaluate the result. Adjust the angle and distance of the speed lights to the subject
- Continue to adjust power, angle and distance of all three lights and evaluate the results for comparison. Keep the digital files as reference for future assignments and keep a lighting diagram attached to the files
Types of Flashes:

- Flashbulbs: Kodak Hawkeye with "Kodalite Flasholder" and Sylvania P25 blue-dot daylight-type flashbulbThe earliest flashes had of a quantity of thermite flash powder that was ignited by hand. Later, magnesium filaments were contained in flash bulbs, and electrically ignited by a contact in the camera shutter; such a bulb could only be used once, and was too hot to handle immediately after use, but the confinement of what would otherwise have amounted to a small explosion was an important advance
- Flashcubes, Magicubes and Flipflash: Flashcube fitted to a Kodak Instamatic camera, showing both unused (left) and used (right) bulbs. Undersides of Flashcube (left) and Magicube (right) cartridges.In the late 1960s, Kodak improved their Instamatic camera line by replacing the individual flashbulb technology (used on early Instamatics) with the Flashcube
- Modern Flash Technology: Today[update]'s flash units are often electronic flashtubes. An electronic flash contains a tube filled with xenon gas, where electricity of high voltage is discharged to generate an electrical arc that emits a short flash of light
- Flash Intensity: Unlike flashbulbs, the intensity of an electronic flash can be adjusted on some units. Small flash units typically vary the length of time of the discharge, larger (studio) units typically charge the capacitor less
- LED Flash (Illumination): Although they are not yet at the power levels to replace xenon flash devices in still cameras, LEDs (specifically, high current flash LEDs) have recently been used as flash sources in camera phones
- Focal Plane Shutter Synchronization: Electronic flash units have compatibility issues with focal plane shutters. Focal plane shutters expose using two curtains that cross the sensor. The first one opens and then the second curtain follows it after a delay equal to the nominal shutter speed
Package Included:
- 1 x Speed Light
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Maxwell
from ()
Bought this item on
01-17-2012- Other Thoughts: Best way to use it is bouncing the flash. This makes a huge difference in the lighting. Works as advertised. Does make a huge difference to the pictures taken indoors.would recommend it to anyone.
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Jonathan
from ()
Bought this item on
12-21-2011- Other Thoughts: This was a recommendation by my photography teacher. He recommended me to either buy a real expensive lens or go with the vivitar if money was an issue. This are the lens he uses for class, and personal use. Overall a great lens and seems pretty easy to use. High quality, low price.
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Dominic
from ()
Bought this item on
12-07-2011- Other Thoughts: I did a lot of reading on this flash light because I was getting it as a gift for someone. It's an amazing flash for the price and I've seen my friend take wonderful images with it by using it off camera with an umbrella.
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Christian
from ()
Bought this item on
11-18-2011- Other Thoughts: The flash light does a great job calculating the amount of light it needs to release to expose the photo, making grossly over exposed or underexposed photos a thing of the past.
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Charles
from ()
Bought this item on
11-12-2011- Other Thoughts: This Flash Light is definitely worth the investment considering if you want to use a remote flash you need a master first, so once you have one of these flashes you can get the less expensive models from now on! Well made, feels firm and heavy duty but does not weigh much!
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Jackson
from ()
Bought this item on
10-22-2011- Other Thoughts: These will do the trick for a while. Can't beat a better investment if your still learning or are a hobbyist. I enjoyed it so much I'm buying another, can't beat the price! I just finished up a class in studio lighting, but don't have the $ for the alien bees I've been working with. Besides, I do almost all of my work outside anyway.
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Dylan
from ()
Bought this item on
10-11-2011- Other Thoughts: Good shipment. I bought this camera speed light for a friend who likes picture taking. It arrived quickly. Like it!
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Matthew
from ()
Bought this item on
09-28-2011- Other Thoughts: This required a powerful flash light. Not only did this flash recycle in time, it was powerful enough to do the job. This little flash even replaced my Metz for wedding work because of its compact size!
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