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Jeryerce®

GTEEN.L 52mm Multi-Coated Ultra Violet Lens Filter

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US $5.99
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Do you need a Lens filter to improve photographs by giving you control over light and allowing you to emphasize the features of a scene that you consider most important? This Lens filter is ideal for photographs of ladies wearing jewellery or other objects with strong reflections. More economical than individual filter purchases. These multiple filter kits take the guesswork out of having a variety of creative filter effects at your fingertips. most popular filters, provide a range of artistic possibilities for almost every photographic application and budget.
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Product Description

Specification
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  • Specifications:

    • It will help you make the most of virtually every photo opportunity by improving image impact and quality
    • Filters are meticulously crafted from the highest quality optical glass
    • Ultraviolet UV improves contrast and color saturation by reducing the effects of ultraviolet light and atmospheric dust and haze in sunny landscapes, including mountain, marine and aerial scenes
    • Can be used in combination with polarizer for stunning scenics or to protect the front lens element from dirt, fingerprints, and scratches
    • Size: 52mm/2.05in(Dia.)

    Detail:

    Jeryerce GTEEN.L 52mm Multi-Coated Ultra Violet Lens Filter

    •  This lens filter eliminates problems from most situations where increased haze tends to wash out color and image clarity

     Filter

    • Add an artistic touch to your photographs with this four flare star filter

    What's the Camera Lens Filters:

    • Camera lens filters still have many uses in digital photography, and should be an important part of any photographer's camera bag. These can include polarizing filters to reduce glare and improve saturation, or simple UV/haze filters to provide extra protection for the front of your lens

    Lens Filter Type:

    • The most commonly used filters for digital photography include polarizing (linear/circular), UV/haze, neutral density, graduated neutral density and warming/cooling or color filters
    • Example uses for each are listed below:

    Filter Type

    Primary Use

    Common Subject Matter

    Linear & Circular Polarizers

    Reduce Glare Improve Saturation

    Sky / Water / Foliage in Landscape Photography

    Neutral Density (ND)

    Extend Exposure Time

    Waterfalls, Rivers
    under bright light

    Graduated Neutral Density (GND)

    Control Strong Light Gradients Reduce Vignetting

    Dramatically Lit Landscapes

    UV / Haze

    Improve Clarity with Film Provide Lens Protection

    Any

    Warming / Cooling

    Change White Balance

    Landscapes, Underwater, Special Lighting

    Problems with Lens Filters:

    • Filters should only be used when necessary because they can also adversely affect the image. Since they effectively introduce an additional piece of glass between your camera's sensor and the subject, they have the potential to reduce image quality. This usually comes in the form of either a slight color tint, a reduction in local or overall image contrast, or ghosting and increased lens flare caused by light inadvertently reflecting off the inside of the filter
    • Filters may also introduce physical vignetting (light fall-off or blackening at the edges of the image) if their opaque edge gets in the way of light entering the lens (right example). This was created by stacking a polarizing filter on top of a UV filter while also using a wide angle lens-causing the edges of the outermost filter to get in the way of the image. Stacking filters therefore has the potential to make all of the above problems much worse

    Multi-coated Ultra Violet Lens Filter

    Note on Choosing a Filter Size for a Camera Lens:

    • Lens filters generally come in two varieties: screw-on and front filters. Front filters are more flexible because they can be used on virtually any lens diameter, however these may also be more cumbersome to use since they may need to be held in front of the lens. On the other hand, filter holder kits are available that can improve this process. Screw-on filters can provide an air-tight seal when needed for protection, and cannot accidentally move relative to the lens during composure. The main disadvantage is that a given screw-on filter will only work with a specific lens size
    • The size of a screw-on filter is expressed in terms of its diameter, which corresponds to the diameter usually listed on the top or front of your camera lens. This diameter is listed in millimeters and usually ranges from about 46 to 82 mm for digital SLR cameras. Step-up or step-down adapters can enable a given filter size to be used on a lens with a smaller or larger diameter, respectively. However, step-down filter adapters may introduce substantial vignetting (since the filter may block light at the edges of the lens), whereas step-up adapters mean that your filter is much larger (and potentially more cumbersome) than is required
    • The height of the filter edges may also be important. Ultra-thin and other special filters are designed so that they can be used on wide angle lenses without vignetting. On the other hand, these may also be much more expensive and often do not have threads on the outside to accept another filter (or sometimes even the lens cap)

    How do you attach a filter to a lens?

    • The majority of filters mount directly in front of a lens using a screw mount. The size of that mount varies according to the size of the lens and the manufacturer of that lens. A lens with a 50mm focal length by Olympus may require a 49mm size filter, a comparable Nikon lens might require a 52mm filter, and a similar Canon lens might require a 55mm filter
    • Filter sizes for particular lenses are usually included in the lens' documentation and may also be found in many of our lens descriptions
    • Photographers often place a clear filter (i.e. UV or Skylight) on each lens that they own because the filter helps protect the lens from dust and other particles

    Problems with Lens Filters:

    • Filters should only be used when necessary because they can also adversely affect the image. Since they effectively introduce an additional piece of glass between your camera's sensor and the subject, they have the potential to reduce image quality. This usually comes in the form of either a slight color tint, a reduction in local or overall image contrast, or ghosting and increased lens flare caused by light inadvertently reflecting off the inside of the filter
    • Filters may also introduce physical vignetting (light fall-off or blackening at the edges of the image) if their opaque edge gets in the way of light entering the lens (right example). This was created by stacking a polarizing filter on top of a UV filter while also using a wide angle lens-causing the edges of the outermost filter to get in the way of the image. Stacking filters therefore has the potential to make all of the above problems much worse

    Notes on Choosing a Filter Size for A Camera Lens:

    • Lens filters generally come in two varieties: screw-on and front filters. Front filters are more flexible because they can be used on virtually any lens diameter, however these may also be more cumbersome to use since they may need to be held in front of the lens. On the other hand, filter holder kits are available that can improve this process. Screw-on filters can provide an air-tight seal when needed for protection, and cannot accidentally move relative to the lens during composure. The main disadvantage is that a given screw-on filter will only work with a specific lens size
    • The size of a screw-on filter is expressed in terms of its diameter, which corresponds to the diameter usually listed on the top or front of your camera lens. This diameter is listed in millimeters and usually ranges from about 46 to 82 mm for digital SLR cameras. Step-up or step-down adapters can enable a given filter size to be used on a lens with a smaller or larger diameter, respectively. However, step-down filter adapters may introduce substantial vignetting (since the filter may block light at the edges of the lens), whereas step-up adapters mean that your filter is much larger (and potentially more cumbersome) than is required
    • The height of the filter edges may also be important. Ultra-thin and other special filters are designed so that they can be used on wide angle lenses without vignetting. On the other hand, these may also be much more expensive and often do not have threads on the outside to accept another filter (or sometimes even the lens cap)

    Package Included:

    • 1 x 52mm Multi-coated Ultra Violet Lens Filter

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